Filmmaker's Notes:

My practice as of late has mainly centred around a science fictionalised exploration into trans-masc dyke-iness; a queer movement and bodily abjection in regards to searching for modes of home and unhomliness not based upon patrilineal spatialities of biological kinship. This has taken the form of a moving image work that “functions” as a sort of container, or maybe a digitised and chaotic sonic and video collage in which I have been
particularly focusing on the specifics of transition (pun intended); the harsh cut or fluid, pixelated merging of various clips. This has culminated in a piece of work that fluctuates between fast and slow movements and methodologies of queer intimacy and lamentations of this idea of the home in relation to the queer body and vice versa.