6 men (played by women) steal a monument to masculinity, a golden urinal art installation, to keep their gentlemen’s club 

Smooth talking and smooth rolling gender-blending non-binary owner of the club KingDom.

 the slick and silver tongued crooner, co-owner of KingDom and lounge singer.

 the tricksy spiv and loose canon, whose underworld connections cause all sorts of drama and who has a tendency to set things on fire.

 the diminutive and non-threatening doorman from the US, conspiracy theorist and paranoid about losing his hair/virility.

 the shy and awkward accountant/business manager, tasked with keeping the business on the straight and narrow but who, in his spare time, attends illegal raves and dreams of being a performer.

 the laddish barman, he’s a womaniser, leers at women and is the epitome of fragile masculinity.

In a dark alleyway Moloko Jones narrates an exciting tale of intrigue and adventure and this story of one fateful night comes to life on the screen. He describes how, without an urgent injection of cash, 

faces imminent closure and our cast of eclectic characters face a humiliating and uncertain future. Never one to concentrate on a problem for long Randy suggests they all visit the ‘monument to masculinity’ on show at a local gallery, for a fun lads outing, when suddenly Moloko gets an idea. They could save their beloved bar and get their hands on an iconic work of art reflecting what they value above all else; Manhood. Scoping out the gallery they realise the guard is a bit of a ladies man, just like Steve, and conclude that no one could capture the essence of a seductive woman better than a man. So the boys drag up, the heist begins, and needless to say all does not quite go to plan.

Our gender bending 25 minute comic drama takes thematic inspiration from 

, and stylistic inspiration from films by Edgar Wright.

KingDom

 is a short documentary on the intersections of drag, gender identity and queer community from the perspectives of six drag artists at varying stages in their careers.

For a copy of the film the artist has requested you contact them erynmcd [dot] creative [at] gmail.com

Queer Is A Tender Feeling

 is an experimental documentary, centered around a drag performer’s debut. This autobiographical film follows a gender-non conforming artist as they prepare for their first performance, while exploring the personal journey that shaped who they are today. Born in 1999, the 2000s impacted their ideals of masculinity and femininity, this performance is an expression of their queerness and struggles with the confining nature of labels. Lady Boner is an expression of Tiffany’s non-binary/gender fluid identity.

Self-Made Man

begins as a seduction song that turns from exaltation to brooding and insidious following the transformation of a blonde woman into a rage fuelled, lip-syncing, six-pack tricking, pearl-dripping, bald creature. 

Moving through themes of gender and power, Sissy Fatigue looks at what it might mean to remove femininity, what lies beneath, and the liberating potential of transgression.

Film by: WET MESS @wet_mess , Oscar Oldershaw @oscaroldershaw , Joseph Campbell @jscramble , Jackie Pratt & Gonnerheous Reese @lambdog1066

Sissy Fatigue 

La Tortillera was developed by Xandra Ibarra as a live performance in 2004 when she performed under the alias of La Chica Boom. The performance was later archived for camera in 2014. 

, Ibarra takes on her own racial bondage to hot sauce, tacos, and demographic panic in “Tortillera.” She dances a 60’s border corrida as a camp version of a Mexican housewife, makes tacos with her panties, and “spreads her seed” onto tacos with her “Tapatio cock.”

Spictacle II: La Tortillera

 is an ongoing, iterative performance that connects the drag form of a lip sync to improvisational movement as a practice of freedom and survival.

Untitled Lipsync

An utterly fascinating, beautifully crafted exploration of the world of drag kings—women who dress, perform and/or live as men. 

Shot over a period of several years, we enter into the intimate lives of the film's subjects, Drag King pioneer Diane Torr, garbed as her alter ego Danny King, German performance artist Bridge Markland and in London, Del LaGrace Volcano a photographer whose startling images take us into a subculture of “new men” who experiment with male hormones.

Categories

Drag